Clocking Off

KT's life is about to be turned upside-down. At the bottom of the factory's hierarchy, KT works the shopfloor and lives with his grandparents at home. The last thing he expects is to be seduced by Katherine, the glamorous wife of factory owner Mack. For KT, it is straightforward. He has fallen in love, pure and simple. Katherine's motives, on the other hand, are rather more complicated... Young and attractive, Katherine appears to be the perfect partner for a successful, self-made businessman like Mack. Powerful, charismatic Mack is absolutely besotted with his wife. She is his most cherished possession; the only thing that matters more to him than his business. Katherine, however, does not feel the same way. On the outside, she has a fairytale life - a lady of leisure, with time on her hands to shop and lunch. In truth, she feels stifled and isolated as her inability to just walk out drives her further into this complicated entanglement. By sleeping with Mack's youngest and most vulne

Steve Robinson, factory foreman and Mack's right-hand man, is trying to save his marriage. His wife Sylvia suspects he has had a fling, although Steve is admitting nothing. Steve has, in fact, been unfaithful once (with Mack's wife) but feels terrible about it. On the night of their wedding anniversary, he woos Sylvia back with a home-cooked meal and champagne. They manage to clear the slate and make up. All seems well, but as they drift off to sleep, they are rudely awakened by an armed burglar. Steve fights the intruder, but this is only the start of their nightmare. When the police call round to investigate the assault, they find they are being victimised again - this time by the police, who are more interested in the remains of a spliff in their ashtray than in Steve and Sylvia's account of the break-in. Deciding to search the house, the police uncover a bundle of Ecstasy tabs in Steve and Sylvia's son Robbo's (Jason Sampson) bedroom. The discovery deepens the severity of the polic

Trudy, Mack's secretary, has spent her whole life looking after other people: her father, Mack, the employees at the factory. So busy has she been sorting out other people's problems that her own life has been on hold. And then her father dies - and suddenly Trudy doesn't have a role to play. In the midst of her bereavement, she is suddenly facing the hardest question in the world - what I am going to do with the rest of my life? What do people tell you when you're bereaved - don't make any quick decisions that you might regret. But Trudy is not listening, she needs to make a change in her life. Actually, what she decides is to make two major changes. She takes three weeks off work and checks herself into a private clinic to have her breasts enlarged. Anyone would tell her that this is the worst time in the world to have cosmetic surgery. But Trudy has not told anyone. Not a soul. The trauma of surgery leads Trudy to face the pain of her bereavement and the senselessness of her life. D

On the morning after their wedding anniversary, Mack lavishes Katherine with gifts in a bid to hold onto her. After yet one more night of loveless sex, Katherine packs a few things into a case and - saying nothing - leaves the marital home for ever. When Mack discovers her half-empty closet, he realises that his marriage has finally disintegrated. But there is worse to come. As if losing his wife were not bad enough, Mack now risks losing the second most important thing in his life - the factory. The deeds to the factory building are in Katherine's name and, wanting to make a clean break from her marriage, she asks Mack to buy her out. But by keeping her financially dependent on him, he prevented her from leaving him in the past. If he bought back the building now, he would be severing any remaining connection. Mack's refusal forces Katherine to give him an ultimatum: he has 24 hours to sign the contract, or she offers the premises to his main competitor. Mack calls her bluff and the b